Dear Writer,
I've been thinking about this for a long time -- years, actually -- ever since I started down the road of pouring my energy, my ideas, my whole soul into a manuscript I hoped would someday blossom into a real, published novel. I've spent decades opening myself up, like you, to judgment and criticism, exposing the dearest parts of myself and my dreams to strangers and critics. I've been a critic myself, as a writing teacher, as a beta reader, and now as an intern. But I am absolutely convinced that
the writer's job is the hardest of them all.
That's right. Sure, it's difficult to develop the taste, the skill, and the sensibility to identify what's wrong with a manuscript and to offer that kind of criticism. It's hard to judge someone else's work -- or, at least, it's hard to do it well. It can be challenging to find exactly the right words to describe what's not working and why. It's also hard to just say no without offering a querier any feedback on what's going wrong. But no matter how difficult it is to identify the flaws in someone else's work,
it's harder to actually write a good book.
So when you feel judged and critiqued and mistreated because so many people standing between you and your publishing goals seem to be looking down their noses at your efforts, when you wonder who died and pronounced them the gods of taste and literary refinement, when the last shreds of dignity and pride bristle at yet another form rejection in your inbox, remember this: their critiques may be spot on, they may be exactly right about what's wrong with your work and what you need to fix, but that doesn't mean they're better than you or they can take anything away from you.
You are still a writer. You are doing the hardest job of all.
I have played the piano since I was a child and the organ for almost as long. I have had numerous occasions to play the organ for large groups of people: 500 to 800 church-goers in one room. I love playing the organ because it has all kinds of stops and associated sounds. There's something satisfying about feeling (not just hearing) the sound reverberate under your fingers, especially if you turn on the great bass coupler. Have I ever made mistakes while playing the organ in front of those 500-800 people? You bet! But one thought provides all the solace I need to move past those mistakes and keep playing: I'm the one on the bench. None of those 500 to 800 people are playing the organ. 99.9% of them wouldn't even begin to know how, and of the .1% that do, none of them are volunteering to take over for me.
So it is with you. You're on the bench, pounding out your story with all the stops open. Your job is the hardest of all, but you're still doing it. Props to you, fellow writer. No matter how much the critics rage or rave, you're still doing the hardest job of all. And don't you ever forget it.
Love,
Shaunna
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